DIY popular music archives and museums: June 2013

Friday, 28 June 2013

Friday, 14 June 2013

Capturing a moment in time: a visit to the South Australian Jazz Archive

Earlier this week I made a visit to the South Australian Jazz Archive in Adelaide, South Australia. This archive is a little younger than the Victorian Jazz Archive (the largest of Australia's DIY jazz archives), having been founded in 2003/4. Run entirely by volunteers, the archive seeks to preserve, collect, catalogue and display material that pertains to ‘the origin and development of the various styles of jazz, swing, and “hot” dance music in South Australia to the present day’, including material relating to ‘relevant performances and recordings by South Australian musicians in South Australia and elsewhere in the world’. The archive’s catchphrase is “Saving and celebrating our jazz heritage”.

About the Project

This is the official blog of the Australian Research Council funded project: 'Do-it-yourself popular music archives: an international comparative study of volunteer-run institutions that preserve popular music's material culture' (DP130100317, 2013-2015).

Enthusiasts play a crucial role in the way that popular music and its culture is remembered. This project looks at instances of community-based, volunteer run archives and museums around the world which are working to assemble material related to popular music. It explores the contributions of these 'DIY institutions' to the preservation of these artefacts for the future.

Volunteers in such archives and museums who would like to participate in the project are invited to contact the researcher, Dr Sarah Baker, for detailed information: s.baker@griffith.edu.au

About the Researcher

Dr Sarah Baker is an associate professor in the School of Humanities at Griffith University on Australia's Gold Coast, where she is also a member of the Griffith Centre for Cultural Research.

Sarah is a cultural sociologist with expertise in popular music studies, youth studies and creative labour. She is the co-author of Creative Labour: Media Work in Three Cultural Industries (with Dave Hesmondhalgh, 2011) and Teaching Youth Studies Through Popular Culture (with Brady Robards, 2014) and co-editor of Redefining Mainstream Popular Music (with Andy Bennett and Jodie Taylor, 2013) and Youth Cultures and Subcultures: Australian Perspectives (with Brady Robards and Bob Buttigieg, 2015).

Sarah is also the editor of Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together (Routledge, 2015), an edited collection that emerges from this research project on community archiving and music heritage.

Research Collaboration

This research on DIY popular music archives and museums emerges from work I did with Dr Alison Huber for the project 'Popular Music and Cultural Memory' (DP1092910, 2010-12). Over the course of that project's research, Alison and I became interested in grass-roots, community-based places of popular music collection and preservation. The emergence of the DIY institution as a developing specialised repository for popular music's material culture, and the important work of volunteers in these places, struck us as something that required further investigation.

My collaboration with Alison has provided the foundations for this new project and our work together appears in our co-authored publications which can be found in this blog's Project Library, below.

Friday, 28 June 2013

Collaborations – the popular music heritage database

Friday, 14 June 2013

Capturing a moment in time: a visit to the South Australian Jazz Archive