DIY popular music archives and museums: privately owned museum

Showing posts with label privately owned museum. Show all posts

Friday, 13 June 2014

The Ramones Museum in Berlin

After my successful trip to Germany last year visiting the Lippmann + Rau Musikarchiv in Eisenach and the Klaus Kuhnke Archiv fur Populare Musik in Bremen, it is great to be able to return to this hot house of popular music preservation; this time to Berlin to see the Ramones Museum. This is only the second artist-dedicated museum I have visited for this research, the other one being KD's Elvis Presley Museum in New Zealand, and the two examples of this kind of heritage enterprise are very different.

Barry and Judy Skinner's Hector Country Music Heritage Museum on New Zealand's South Island

What is it about New Zealand’s west coast that makes it such a hub of DIY music museums? Yesterday I made a visit to the Hector Country Music Heritage Museum in the Buller district of the South Island. Another privately owned and operated museum, this one is run by musician and radio DJ Barry Skinner with the support of his wife Judy.

Elvis in New Zealand - a visit to KD's Elvis Presley Museum

Yesterday evening I visited KD’s Elvis Presley Museum, a private museum dedicated to 50s and 60s rock’n’roll. The museum is owned and run by Kevin “KD” Wasley. As the brochure states, KD “has been an avid collector of Elvis records and memorabilia since 1959. Born in Hawera, painter and paperhanging contractor by trade, but his pride and joy is the Elvis Presley Museum.” The museum can be found in the converted garage of his home in Hawera on New Zealand’s north island.

On the road in New Zealand: a visit to the Taranaki Country Music Hall of Fame

I’m currently in New Zealand doing a road trip that sees me visiting DIY museums on the west coast of both the north and south islands. I arrived in Manaia, North Island, after a somewhat harrowing journey driving the Forgotten World Highway – 150km stretch of tight winding road complete with fallen tree and boulder hazards, unsealed stretches, and a one lane pitch black dirt tunnel. By the time I arrived at the Taranaki Country Music Hall of Fame my nerves were a little frayed!

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About the Project

This is the official blog of the Australian Research Council funded project: 'Do-it-yourself popular music archives: an international comparative study of volunteer-run institutions that preserve popular music's material culture' (DP130100317, 2013-2015).

Enthusiasts play a crucial role in the way that popular music and its culture is remembered. This project looks at instances of community-based, volunteer run archives and museums around the world which are working to assemble material related to popular music. It explores the contributions of these 'DIY institutions' to the preservation of these artefacts for the future.

Volunteers in such archives and museums who would like to participate in the project are invited to contact the researcher, Dr Sarah Baker, for detailed information: s.baker@griffith.edu.au

About the Researcher

Dr Sarah Baker is an associate professor in the School of Humanities at Griffith University on Australia's Gold Coast, where she is also a member of the Griffith Centre for Cultural Research.

Sarah is a cultural sociologist with expertise in popular music studies, youth studies and creative labour. She is the co-author of Creative Labour: Media Work in Three Cultural Industries (with Dave Hesmondhalgh, 2011) and Teaching Youth Studies Through Popular Culture (with Brady Robards, 2014) and co-editor of Redefining Mainstream Popular Music (with Andy Bennett and Jodie Taylor, 2013) and Youth Cultures and Subcultures: Australian Perspectives (with Brady Robards and Bob Buttigieg, 2015).

Sarah is also the editor of Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together (Routledge, 2015), an edited collection that emerges from this research project on community archiving and music heritage.

Research Collaboration

This research on DIY popular music archives and museums emerges from work I did with Dr Alison Huber for the project 'Popular Music and Cultural Memory' (DP1092910, 2010-12). Over the course of that project's research, Alison and I became interested in grass-roots, community-based places of popular music collection and preservation. The emergence of the DIY institution as a developing specialised repository for popular music's material culture, and the important work of volunteers in these places, struck us as something that required further investigation.

My collaboration with Alison has provided the foundations for this new project and our work together appears in our co-authored publications which can be found in this blog's Project Library, below.