DIY popular music archives and museums: publication

Showing posts with label publication. Show all posts

Friday, 1 April 2016

Guest post --- An overview of Baker's work on DIY institutions of popular music heritage

In this post, guest blogger Zelmarie Cantillon provides an overview of key ideas emerging from my published work on DIY institutions; research that comes out of the Australian Research Council funded projects 'Popular Music and Cultural Memory' and 'Do-it-Yourself Popular Music Archives'.

Guest post --- overview of new publication on DIY institutions

In this post, guest blogger Lauren Istvandity provides an overview of a journal article written by Sarah Baker which was recently published in Archives and Records. The article, titled ‘Do-it-yourself institutions of popular music heritage: the preservation of music’s material past in community archives, museums and halls of fame’, emerges from research undertaken for the ARC funded project ‘Do-it-yourself archives of popular music’.

"Locating the canon in Tamworth" winner of the 2014 Rebecca Coyle Prize

The International Association for the Study of Popular Music Australia-New Zealand (IASPM-ANZ) Branch Conference was recently held in Dunedin, New Zealand. It was announced during the conference that the 2014 Rebecca Coyle Prize for the best paper on popular music in the Australia-New Zealand region published in 2013 was awarded to my article, co-authored with Alison Huber, called 'Locating the canon in Tamworth: Historical narratives, cultural memory and Australia's "Country Music Capital"'.

Article published on cultures of preservation at the Victorian Jazz Archive

An article I co-authored with Alison Huber has just been published in the journal Popular Music History (vol. 7, no. 3, 2012). Titled ‘Masters of our own destiny’, this article presents a case study of the Victorian Jazz Archive.

Another publication in the pipeline - the cultural and social functions of the VJA

Another article I co-authored with Alison Huber has been accepted for publication. The article, titled '"Masters of our own destiny": cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia', is scheduled for publication in the journal Popular Music History.

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About the Project

This is the official blog of the Australian Research Council funded project: 'Do-it-yourself popular music archives: an international comparative study of volunteer-run institutions that preserve popular music's material culture' (DP130100317, 2013-2015).

Enthusiasts play a crucial role in the way that popular music and its culture is remembered. This project looks at instances of community-based, volunteer run archives and museums around the world which are working to assemble material related to popular music. It explores the contributions of these 'DIY institutions' to the preservation of these artefacts for the future.

Volunteers in such archives and museums who would like to participate in the project are invited to contact the researcher, Dr Sarah Baker, for detailed information: s.baker@griffith.edu.au

About the Researcher

Dr Sarah Baker is an associate professor in the School of Humanities at Griffith University on Australia's Gold Coast, where she is also a member of the Griffith Centre for Cultural Research.

Sarah is a cultural sociologist with expertise in popular music studies, youth studies and creative labour. She is the co-author of Creative Labour: Media Work in Three Cultural Industries (with Dave Hesmondhalgh, 2011) and Teaching Youth Studies Through Popular Culture (with Brady Robards, 2014) and co-editor of Redefining Mainstream Popular Music (with Andy Bennett and Jodie Taylor, 2013) and Youth Cultures and Subcultures: Australian Perspectives (with Brady Robards and Bob Buttigieg, 2015).

Sarah is also the editor of Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together (Routledge, 2015), an edited collection that emerges from this research project on community archiving and music heritage.

Research Collaboration

This research on DIY popular music archives and museums emerges from work I did with Dr Alison Huber for the project 'Popular Music and Cultural Memory' (DP1092910, 2010-12). Over the course of that project's research, Alison and I became interested in grass-roots, community-based places of popular music collection and preservation. The emergence of the DIY institution as a developing specialised repository for popular music's material culture, and the important work of volunteers in these places, struck us as something that required further investigation.

My collaboration with Alison has provided the foundations for this new project and our work together appears in our co-authored publications which can be found in this blog's Project Library, below.

Friday, 1 April 2016

Guest post --- An overview of Baker's work on DIY institutions of popular music heritage

Thursday, 17 March 2016