I'm in New York City to attend the 'Radical Archives' conference presented by the Asian/Pacific/American Institute at NYU, curated by Mariam Ghani and Chitra Ganesh, and held on 11-12 April in the NYU Cantor Film Centre. As the first "archival" conference I have attended I was interested to see how its concerns intersected with my own approach to thinking about the DIY practices and processes of the institutions that are the focus of my research, particularly because the conference was focused on activist archives.
Saturday, 12 April 2014
Wednesday, 9 April 2014
Project in the news
Turns out the story of my visit to the Heart of Texas Country Music Museum made the front page of this weeks Brady Standard-Herald.
Tuesday, 8 April 2014
The Sarasota Music Archive: a DIY institution housed in a County Library System
I had arrived in Sarasota, Florida, with nothing lined up for my fieldwork. I'd been emailing the Sarasota Music Archive to try and set up some interviews but hadn't received any replies. Yesterday morning, then, it was a case of trying my luck by turning up on the Archive's doorstep and hoping for the best...
Saturday, 5 April 2014
Preserving traditional country music in the heart of Texas
There is no time for jet lag on this fieldwork trip to the United States of America. I flew into Dallas Fort Worth on Wednesday and then onto San Angelo Airfield before finally arriving late evening into Brady, Texas (by a stretch limo, no less) - Brady being the home of the Heart of Texas Country Music Museum, a museum dedicated to "preserving and promoting traditional country music".
Wednesday, 26 March 2014
Abstract accepted for the On Collecting conference
I'm looking forward to visiting Edinburgh in July for the 'On Collecting: Music, Materiality and Ownership' conference, where I will be presenting a paper in the panel "Formats and the act of collecting". The conference will be held at the National Museum of Scotland.
Labels:
abstract,
affect,
collecting,
conference,
Edinburgh
Tuesday, 4 March 2014
Forthcoming fieldwork in the USA
Now that I’m back from New Zealand another fieldwork trip is
in the planning. In April I will be heading to the USA for a whirlwind stint of
fieldwork that will see me visiting Texas, Florida, New York and Rhode Island.
Labels:
conference,
data collection,
fieldwork,
USA
Saturday, 15 February 2014
Barry and Judy Skinner's Hector Country Music Heritage Museum on New Zealand's South Island
What is it about New Zealand’s west coast that makes it such
a hub of DIY music museums? Yesterday I made a visit to the Hector Country Music Heritage Museum in the Buller district of the South Island. Another privately
owned and operated museum, this one is run by musician and radio DJ Barry
Skinner with the support of his wife Judy.
Tuesday, 11 February 2014
Elvis in New Zealand - a visit to KD's Elvis Presley Museum
Yesterday evening I visited KD’s Elvis Presley Museum, a
private museum dedicated to 50s and 60s rock’n’roll. The museum is owned and
run by Kevin “KD” Wasley. As the brochure states, KD “has been an avid collector of Elvis records and memorabilia since 1959.
Born in Hawera, painter and paperhanging contractor by trade, but his pride and
joy is the Elvis Presley Museum.” The museum can be found in the converted
garage of his home in Hawera on New Zealand’s north island.
Monday, 10 February 2014
On the road in New Zealand: a visit to the Taranaki Country Music Hall of Fame
I’m currently in New Zealand doing a road trip that sees me
visiting DIY museums on the west coast of both the north and south islands. I
arrived in Manaia, North Island, after a somewhat harrowing journey driving the
Forgotten World Highway
– 150km stretch of tight winding road complete with fallen tree and boulder hazards, unsealed
stretches, and a one lane pitch black dirt tunnel. By the time I arrived at the
Taranaki Country Music Hall of Fame my nerves were a little frayed!
Monday, 6 January 2014
Routledge to publish edited collection on DIY music archives and museums
A great start to the new year for the project with confirmation that my book contract is signed, sealed and delivered for the edited collection on DIY music archives and museums. The book, which I hope will hit the shelves by late 2015, will be called Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together and will be in the Routledge Research in Music book series.
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